Jan 31,2009
The Acoustics
Sometimes I swear I can hear you, in the wrinkles of clothes, in the hum of radios, in the mold slowly forming on unused t-shirts. I swear it. It’s there in my battered, torn shoes left to dry. It’s in my phone and my computer. It’s in the musty pages of old books and in empty deodorant cans. I hear you most when I climb into an unmade bed and feel the hairs on the sheets.
It’s there when I sort the clothes into the right position and in the soft, sagging folds I can hear “It’s wrong! It’s all wrong!” in that naturally cute voice of distress. It’s in the cigarettes over coffee and in the mirror where your grumpy face lingers in a shadow before realising your feelings and casting aside all maladies in a damp hug against the door.
It’s in the songs on the pod and in the sheets upon sheets of paper folded neatly in their envelopes hidden in my drawers. The chirrup of a phone. The pixels of an image. I hear it everywhere and nowhere. I can hear your voice in all these things but what I want is to hear your voice in my ear as I fall asleep and come home from work and sit hunched over this keyboard with fingers whirring at useless, random thoughts and in my bed telling me that it’s wrong, it’s all wrong until I make it right again and you fall asleep and grind your teeth at dreams to come.
January 17, 2009
The life and adventures of Bourbon
I was in a terrible place for a while. Lets not get into the details on that, lets just say that it was a low point. The past two months have been shaky to say the least, but they’re over. Now I am back. Hello.
I made a conscious decision on Tuesday. It happened when I woke up at six-thirty instead of eight and I had almost two hours to do nothing. I decided that I don’t really want to be doing the same anymore. It’s a good image I’ll admit; sitting in bars with friends having drink after drink and looking all the more haggard because you did the same the night before. And then the night before. But image isn’t everything. Last weekend I had so little sleep and so much alcohol that most of my memories of it are gone. I can pick bits and pieces, but they’re hazy at best. I felt like I was destroying myself a little bit.
Maybe I did, I don’t know, but I decided to stop.
And that’s what Tuesday was about. Tuesday was about setting things right, with everything. And it worked to an extent. Of course not everything was fixed and who knows maybe more problems have arisen, but things felt a hell of a lot better.
Anyway, I thought I’d break with the tradition of my usual veiled entries and just come out and say it; I am alright. I’m not overly ecstatic and I’m not down and out. I’m doing fine. This means that people can leave me alone in a room without showering me with protection, but it doesn’t mean you can abandon me or stifle me with affection. I am OK.
So there we go, lets resume regular programming.
Jan 11, 2009
Mancold Martyr
I’ve been sitting it out far too long at home sick as hell for the past few days so I thought I’d recount some of the titles I’ve watched. And other things.
First up is the much too short Afro Samurai which I will thrust down people throats. The only problem that I’d bring to figure would be the appalling lip-syncing. It’s as if Samuel Jackson looked at his characters and said “Fuck it, there shouldn't be no mother fuckin’ restrictions on my mother fuckin’ lines”. So there’s the occasional weird scene when the anime character is shouting and good old Samuel is whispering something. Other than that everything was seamless. I watched it over two days with the flatmate (God bless his soul for recommending it in the first place) and I really wished I could’ve watched it in one. The animation was seamless, the action perfect. And the teddy bear samurai- I liked him better when he didn’t take off his mask but he was yet brilliant.
Another on the anime list would be the Samurai Champloo series which I’ve laughed at so many times just because it’s slang for orgasm. It’s a classic series, made by the same people and (roughly) at the same time as Cowboy Bebop, and it’s occasionally quite ridiculous. The series is a cross-genre work of media, blending the action and samurai genres with elements of non-slapstick comedy. It is also a period piece, taking place during Japan's Edo period. The series is interwoven with revisionist historical facts and anachronistic elements of mise-en-scene, dialogue and soundtrack. The series' most frequent anachronism is its use of elements of hip hop culture, particularly rap and the music it has influenced, break dancing, turntablism, hip hop slang, and graffiti. The show also contains anachronistic elements from the punk subculture and modernism, but less prominently.
Took another run at Donnie Darko the other day. I forget how much I love that flick. I think it’s not just the amazing cast, but also the overall art nouveau style and noire-ish sentiment with whip cracking dialogue that makes it worthwhile.
January 4, 2009
Untitled
Lets take a second here. Just a second.
I had a good day yesterday (if you take away the sole reason which made it not a good day, but we won’t go into that)
December 30, 2008
A Long December
A long December, and there's reason to believe
Maybe this year will be better than the last
I can't remember the last thing that you said as you were leavin'
Now the days go by so fast
- Counting Crows
Dec 7, 2008
The Dopes of Haphhazzard
I’m gonna pull you in close,
Gonna wrap you up tight,
Gonna play with the tips
that you came in here with tonight.
I’m gonna light your face,
blow circles as things fall back in place.
I can’t remember the last time I got high. I just have this one memory of one fantastic time. I couldn’t move, couldn’t breathe from laughing. I danced and the footage is still doing the rounds. I woke up with cotton mouth and a cut on my forehead.
Dec 6, 2008
Blot out the light and the world drops away
Morning. Slivers of light descry around the edges of the blinds and assault my eyelids. I roll away onto my right, away from the clock on the phone that digitally chips away at my remaining time. Probing fingers count the bruises on my legs, pressing each one gently until I wince. I find three new ones and one new dent where my leg had yielded against the jutting keys in the filing cabinet. Absently I pick the skin off my fingertips and count the hours to work.
I'm safe at three.