Wednesday, February 09, 2011

For Life and and all that it does to us.

Maybe it is the way of telling a story of the couple's origins building to its romantic peak against the one of their present day relationship sinking, but the cross-spliced canvas is in so many ways the story of my life.

Blue Valentine seemed tailored specifically to my tastes: a natural anti-romantic-ballad that acknowledges the evanescence of mutual fascination, presented in grainy, deeply saturated imagery that captures those eloquent minutes that you can never have taken from you.

Most movies reduce love to a grieving heart sentiment. Eternal Sunshine of a spotless Mind treats it as a subject of extended philosophical viewpoint. The film is cerebral, conceptually realistic, dense with literary allusion and as unabashedly romantic when you least expect it to be. I am so seduced by Valentine's final moments primarily because I have so often tragically interpreted something that is great now to automatically mean it will be great forever.

Life, and love, can be depressing propositions. Good people meet, with good intentions. They truly love each other and want only the best. But you can’t depend on getting only the best. And how we deal with the worst is what, in the end, determines the poetry of our lives.

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